Fletcher Ward Design - 020 7637 0940
Wednesday, September 30, 2015
Design & Artwork - design matters, art works
Tuesday, June 16, 2015
Big Bus Night Tour project
One of our clients, Big Bus Tours London, needed a brochure to launch their exciting new London Night Tour. The project involved extensive Photoshop montage illustration work to create an atmospheric, visually appealing cover and the design and production of a 'map' brochure which would help to promote the tour on-board the current Day Tour buses and at point-of-sale. The launch was a great success and the Night Tour is now an important part of the Big Bus portfolio of tours and destinations throughout the world.
Click this link if you'd like to find out more: http://eng.bigbustours.com/london/night-tour.html
Tuesday, November 25, 2014
What am I looking for?
OK, I'm after a designer. What am I looking for?
Passion, drive and a focused vision - someone who thinks objectively and can cleanly solve problems, without fuss or over emphasis. Someone who creates solutions that are meaningful and deliberate and who is aware of the larger picture.
They know that your brand is not so much about you as your target audience so they will progress your brand image with the aim of communicating to your target market.
Good design is about a state of mind, honesty and an approach to problem solving - it's realising the function and purpose of the aim. And it’s how you will beat your competition.
Design can be executed in many ways, but the final goal is always the same - to solve a visual or physical problem.
So how can I spot the right designer for me?
Good design is not easy to define because the best designs seem not to be designed at all but to exist and work silently solving the marketing problem. It’s easier if we break things down. If you know what to look for, it’s simple to spot good design when you see it; or perhaps more importantly, when you can’t see it at all!
Design principles to look out for are:
• innovative
• makes a product useful
• aesthetic
• makes a product understandable
• unobtrusive
• honest
• long-lasting
• thorough
• as little design as possible
Take a look at your current product – is design contributing in an innovative way? Does it make the product useful to the target market - is it understandable, aesthetic? Is it long-lasting, or will it look outdated in the future?
A good designer will manipulate all the constraints to produce a product that people will fall in love with. Love is a really strong emotion - it's a proven method - and as we said previously, it’s how you’ll beat the competition.
Monday, October 27, 2014
What one do you prefer? Vote now!
We've just finished a rather interesting project for Science|Business on behalf of BP. It involved coming up with a set of report cover options for a recent seminar on the future of European energy development. The brief was to explore the concepts of taking the correct route, complex considerations and an end energy policy target.
We came up with 3 ideas that went down really well. We won't tell you which one they went for, but let us know what gets your vote…
Option A
Europe energy maze
Option A
Europe energy maze
Option B
Decision ‘maze’ with sky and
‘Europe cloud’ background.
Moving towards a cleaner
Europe.
Option C
Futuristic image depicting
choices to be made in
negotiating the European
‘energy maze’
Vote!
Tuesday, October 7, 2014
Fletcher Ward Design supports the David Rundle Trust
The David Rundle Trust - a charity set up by Deri Rundle in memory of her husband to help the people of Rwanda following the horrific genocide in 1994. They are active in 3 main areas: supplying potable water to remote areas, family planning and the education of children. Because there are no expenses - all monies received by the Trust actually go to help the Rwandans - the leaflet we’ve just re-designed had to look basic to reflect the simplicity of the Trust’s organisation. Go to davidrundletrust.co.uk and you’ll see what we mean. This is a small but extremely effective charity so do help if you can.
'Faux' HDR Photoshop manipulation
High Dynamic Range Photography.
Recently we've used a 'faux' HDR Photoshop technique and we thought it might be of interest. For those of you not aware, HDR (High Dynamic Range Photography) is basically the process of taking multiple exposures and merging them into a single 32 bit image.
A camera is capable of capturing a limited amount of tones in a single shot (the dynamic Range). Typically, elements are sacrificed when the photographer sets the camera's exposure.
An answer is to take more than one photograph and bracket the shot. Shoot at normal exposure, then under-expose to capture the highlights and over-expose to capture shadow detail. Finally, merge the shots to produce a single image with a larger range of tones that shows all the details contained in the shadows and highlights.
In Photoshop there is a technique to mimic this effect that uses combinations of layers and filters.
The examples below show the difference!
Recently we've used a 'faux' HDR Photoshop technique and we thought it might be of interest. For those of you not aware, HDR (High Dynamic Range Photography) is basically the process of taking multiple exposures and merging them into a single 32 bit image.
A camera is capable of capturing a limited amount of tones in a single shot (the dynamic Range). Typically, elements are sacrificed when the photographer sets the camera's exposure.
An answer is to take more than one photograph and bracket the shot. Shoot at normal exposure, then under-expose to capture the highlights and over-expose to capture shadow detail. Finally, merge the shots to produce a single image with a larger range of tones that shows all the details contained in the shadows and highlights.
In Photoshop there is a technique to mimic this effect that uses combinations of layers and filters.
The examples below show the difference!
Wednesday, September 17, 2014
Graphic Digits: New Typographic Approach to Numerals
Whilst browsing the web this week we came across this interesting project from Viction:ary.
'Graphic Digits' is an intriguing collection of leading edge numeral designs created as graphic elements within products. From hand crafted to vector configurations, this book examines the design possibilities of customising numeral combinations in graphic identities, packaging and marketing campaigns to create stunning visual impact. See what you think.
'Graphic Digits' is an intriguing collection of leading edge numeral designs created as graphic elements within products. From hand crafted to vector configurations, this book examines the design possibilities of customising numeral combinations in graphic identities, packaging and marketing campaigns to create stunning visual impact. See what you think.
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