Fletcher Ward Design - 020 7637 0940
Thursday, August 1, 2013
Sick brand? Perk it up!
Tuesday, July 23, 2013
Same image, different job. FAQs
During our working week we get many requests from clients as to format requirements for images.
"I've grabbed this picture from our web site is it OK to use for my print job?"
So... Here's a guide, hopefully simply explained, as to how to get your pixels purring.
When preparing graphics for a web or print job there are key requirements that must be considered.
- Is the image large enough in pixels - dots per inch (DPI)?
- What's the colour spec for the image... Spot PMS, RGB or CMYK?
- What's the final production size of the image when used (pixels for screen, millimetres/inches for print)?
COLOUR MODEL:
RGB. This is a colour gamut made up of three colours, Red, Green and Blue. Web or on-screen graphics are a combination of these three building blocks. This is because you are looking at the finished product through your monitor/tv which is displaying RGB pixels.
CMYK. This is how litho print is reproduced by printing four colours, Cyan, Magenta, Yellow and blacK. The arrangement of the litho printers screen 'dots' in these four colours give the impression of almost any specific colour combination. Next time your at your local bus stop sporting a large display poster (the bus stop, not you!), take a closer look, you'll be able to see the small CMYK dots which make this up (just make sure the other bus travellers don't spot you!).
Be aware though that certain colours lose integrity when reproduced in CMYK mode as opposed to RGB, blues and oranges are particularly prone to this. See these examples below...
Sometimes to overcome this the best option is to print a 'fifth' colour - a spot PMS.
SPOT PMS. This is a second colour option that can be used with or without CMYK for print. It's a prepriority colour system by Pantone (Pantone Matching System) for printing flat pre-defined mixed colours. Great for specific branding colours and guaranteeing an exact colour match... but use with caution, this adds to your printing price if used with CMYK (4colour printing) adding an extra colour 'plate' for each PMS used.
IMAGE RESOLUTION:
Image resolution relates to the amount of detail in an image.
Image resolution for digital images is measured using pixels per inch (ppi) or dots per inch (dpi). The more pixels/dots there are in a given square inch, the more detail the image has... the higher its resolution.
If it's a print job you need images at the finished size it appears in the design at 300dpi, CMYK.
For Web/on-screen you don't need such a high resolution, monitors just don't need that amount of detail information, you'll need to dig out images at just 72dpi RGB at the viewers pixel size.
If it's going to be run out internally on the in-house office printer, you rarely need anything over 150dpi (most modern printers can handle CMYK or RGB)
So... What happens if you've only got RGB web graphics for your printed prospectus?
Well, no need to panic just yet, your designer has all the tools to convert the file to CMYK for print, RGB would not give a good colour reproduction when the printer prints out for a CMYK destination. But you must be aware that it can only be used at the finished size it's required at 300dpi.
So if your image is 100mm at 72dpi when you increase that to 300dpi the actual reproduction size reduces to around 24mm
We always create our graphic elements at the highest resolution possible. Experience has told us that once a client has approved the lower resolution web version they invariably decide that they'd like to produce a leaflet or advertisement utilising the same graphic - it's then an easy job to go back to the high res original and re-save for the new project saving time and money.
The problem comes when you scale your web grabbed 72dpi graphic up to beyond the 300dpi interpolated conversion size for print. The 'bit map' image will start to degrade and pixelate. Not a pretty look.
Here' an example of a web-resolution image being scaled up beyond it's limit for print. Note the 'blurryness' of the enlarged shot.
VECTOR GRAPHICS
The vector file format has none of these scalability issues because of it's mathematically calculated colour, rather than pixel based bit map, any size can be enlarged without any degradation in quality. Great for illustrations, logos and flatter colour formats. Not so good for detailed photography.
We design a logo to work in it's simplest mono form first, vector format is ideal for this. If it maintains visual impact in black & white it will generally work in any colour situation.
If your not sure...
Final warning.
Printers proofs are always recommend before biting the bullet and going with the final print run. Variables like paper stock absorbency, brightness and ink coverage could all make a difference to it's final look.
Hopefully all this helps and doesn't confuse too much, but don't worry your designers know what they're doing!
Mark Fletcher
Graphic Designer
Monday, July 15, 2013
Lead with your brand guidelines!
In the past 'Brand' was perceived as your logo, your colour, your 'look'. The word 'Brand' has now come to mean the manifestation of the company's 'emotive essence'.
Everyone's aware of the importance of getting the 'brand' right, but far to often the easy option is taken. Sure it's quicker (and in the short term, cheaper) but developing your brand on the fly, and not establishing the up-front core brand definitions, will lead in the long term to a dysfunctional and over crowded consumer message. This is particularly relevant if your business is stretched around the world, many markets mean many local permutations. A solid structured brand is essential to bind these all together and communicate a single message with clarity.
A good, well structured branding guidelines document will define and established your brand position. Enabling your message to rise above the competition.
It should not only define your products logo, colour palette, fonts etc. but extend beyond that into the attitude and ethos of your company. It's philosophy, it's aims, even the way it answers the phone or how it structures emails.
It should take into account online social profile, and offer up a solid insight into public perceptions and trends, backed up with interviews and research.
We find, if time and budget allows, it's helpful to carefully dissect your customers views about your existing profile through qualified research. This can be painful for the company but will provide a real world starting point to identify opportunities to create a more successful brand that focuses towards the point of sale.
The answers will develop into options for your brand enabling it to separate and surpass your competition.
It should examine the company internally as we'll as externally - look at your competitors, how you react to competition and how you compete.
Considered answers that enforce the brand definition are a tremendous asset to your creative and marketing team. Your brand profile is a unique presentation of your company and as such becomes part of your company's worth. A brand definition document will aid execution of your strategies and answer definite problems that arise or will arise in the future.
It will add confidence to your suppliers, create structure for your employees, and add a 'value' asset to your market worth.
"But can't I develop materials without this background work?"
Yes, of course you can, and we often do... But you must be aware that your team is missing out on a critical outlined structure to define you. It can make the difference between branding that hits the target and branding that falls short.
Monday, September 6, 2010
Browser search mishtakes and spellink faux pairs
I hope this list provides some insight for your own search adventures, if any, or at least some insight into human nature and how people use search.
Our thanks to www.bonfx.com for these:
freelace graphic design portfolio
Might want to check near your shoelace for that…
how to get graphic design work over 50
+”freelance” + ”graphic design” + ”what to charge”
21th graphic design
converting from 72 dpi to 300 dpi to print
Tuesday, July 27, 2010
Wednesday, January 27, 2010
Logos with hidden meaning

This simple picture of a young girl doing her yoga exercise contains a hidden element. The body pose is creating a map of Australia.

Has anyone ever noticed the logo while enjoying the bar. It clearly shows the Swiss Alps but …Toblerone originated in Bern, Switzerland - a city whose name means, “City of bears”. Look at the logo again you'll find the bear in the logo. Got it?

The designer has integrated a bed with the letter “M”.
Notice that its logo represents Paris with the joined "tt"s of Lafayette forming the shape of the Eiffel Tower.
A standard film reel turned to look like a spooky ghost.
Two musical notes are bent in a way to make a heart and headphones.
An Online Food Delivery service, emphasising its online'ness. The logo shows a fork formed into an @ symbol
You've seen it thousand times but have you ever noticed the arrow formed between the letters “E” and “X”?
A company which designs tractors. The letters “E” and “H” make up a graphic representation of a tractor.
This Home Appliance company has used the negative space to indicate the “E” and “D” making the logo look like an electric plug.
Apparently the Big Ten College Group has eleven schools but they didn’t want to change their name. So they used their logo to hide the number “11”.

Hands up all you who just saw the smily face. The original concept behind this was that amazon.com has everything from a to z.























